Starlings
squeal with surprise:
your hair in braids!
~
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The other night JJ and I watched Steamboy (2004, Japan, director's cut), an animated movie that I mostly enjoyed. I like when foes lay waste to one another and to a major city while arguing at the top of their lungs, Iliad-style, about the function of science in human society and the ethical obligations of scientists. I also liked the sole female main character (Scarlett), but her arc was so flat that she mostly functioned as comic relief. I would totally watch a sequel, intrigued by the end credits that show snapshots of Steamboy's future adventures (and Scarlett's possible growth as a kick-ass female protag).
It's kind of a no-brainer that werewolf lore lends itself to feminist fables, but most such movies I've seen (like Ginger Snaps, which I liked, too) have treaded the obvious path from puberty to menstruation to sexual empowerment. Wild Country (2005, UK/Scotland) skips that cliché and links lycanthropy and motherhood. The first 10 minutes are so well done and the teenage leads so surprisingly competent that I watched the remaining hour with little complaint. I see other reviewers have dissed the teens for being "blank slates" but, frankly, I was just relieved they weren't the uber-annoying stereotypes that American teen flicks churn out. The effects are atrocious--silly stuffed monster heads (held by the camera guy?) that should've stayed in the dark--and the running sequences are tedious, and the ending is abrupt and predictable, but there's worse ways to spend an hour. Here's the image from the opening credits that inspired my spanish moss poem the other day.
I'd avoided Antibodies (2005, Germany) because, frankly, the cover on Netflix wigged me out. I worried the movie would be too gruesome. It wasn't. Despite one main character being a serial killer and pedophile, despite the tortured animals. What it was—and this surprised me--was Christian propaganda. The sheriff of a rural town has been investigating the murder of a young girl for over a year, earning himself a fair amount of enmity and abuse from the locals. When city cops catch a serial killer, the rural sheriff goes to the big bad city to talk to the killer, Silence of the Lambs style, to find out if he killed the girl. The main actors are very good [fwiw, Wotan Wilke Mohring is also quite easy on the eyes; he was also in Valkyrie (which I haven't seen, because if it's Tom Cruise versus Hitler, I don't have anyone to root for) and Pandorum], the dialogue is pretty interesting, the mystery is sufficient, and then it all goes down the crapper. All the philosophizing about good and evil is for naught; the movie reinforces the usual dichotomies and relies upon the sappiest, most ridiculous ending I've ever seen. I'll give you a hint: God. And Bambi. Okay, that's two.
It's a good thing Mohring is cute. Here he is in Valkyrie.
What movies have you seen lately? Anything especially good or bad?