Last week I watched
Conan the Barbarian, Skyline, and
Chrysalis. None of them would I recommend. I will note, however, that
Conan was the first movie in a loooong time that squicked me hard enough I instinctively closed my eyes and turned from the screen. That, and I'm always amazed to see a horse get punched, which happens a couple times in
Conan. Jason Momoa was the only thing right in that movie, otherwise. (Sorry, Ron Pearlman. I love you, but...)
This weekend I finished reading
Black Coffee Blues by Henry Rollins. Extremely uneven book. The first section, "124 Worlds," started off interestingly enough but devolved to the point where all the worlds sounded the same, populated by the same three or four people, none of whom can speak about cops without using the term
pigs and none of whom I wanted to spend much time with. Still, Rollins has a good eye and delivers many a sparkly gem, like this one from #26:
"A broken nose is a many splendored thing. This guy's face just exploded. It was like a rainbow--but all the colors were red."
And from #101: "The diamonds of his mind had been stolen by unseen hands. All things had turned to brass and tin."
Also, he speaks truth. From #77: "What the fuck is it about laundromats? When you go in there with your mate, you always come out of there in some kind of seething argument. Happened to me every time. It was easier to sneak out with the clothes and do the damn wash alone and not deal with all the petty bullshit. You could go in there at any time of the week and there would be a couple in there staring furiously at magazines, or watching the dryer like television. Hating each other's guts. I'd rather live alone."
The travelogue section, "Black Coffee Blues," was more interesting to me, partly because of his honest reactions to other countries and the people he encounters, both natives and fellow (tourist) Americans. The isolation also elicits honesties like this one: "I don't work well up-close. I am abusive and I don't know when it starts or where it comes from."
"61 Dreams" was excellent, reading like a set of surreal flash fiction pieces. My only quibble was that Rollins's relentless use of
pigs to mean
cops meant that Dream #2 made me laugh, until I realized that no, a hog was not making a pass at Rollins.
The book ends with the brilliant "I Know You," which is available as a spoken word piece on youtube. This version is decent, although the music annoys me (just because it doesn't need to be there) and there are errors in the text:
http://www.youtube.com/watch?v=Vj-B42gXcoQ