my fogged-up glasses
November's gentle nudge
"Be thankful."
~
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A subterfuge of crows
sidles up and circles the tree,
nonchalant pecking.
The red-tailed hawk flutters wet feathers,
checks his quadrants, reconsiders.
So, the copy of Inked I got was the August issue with Green Day on the cover.
It's a well-engineered magazine: it's easy to hold and to turn the sturdy, matte pages. You think I'm joking? You should see me trying to read Better Homes and Garden—not only can I not turn the tissue-thin pages that I can read through, but I end up ripping out more than half because they're cheap ads.
The ads in Inked are artistically interesting and usually blend well with the content. There's good use of white space, making the feature text easy to read and drawing the reader's focus to the art. I liked that I learned a little bit about a lot of stuff, like things to see if I ever visit Switzerland—the HR Giger museum and Giger-themed pubs!--and about Skulls Unlimited International in Oklahoma and various artists.
But, no offense to the bookstore employees intended, I'm not sure how alternative the lifestyle portrayed in Inked truly is. Most of the people in its pages are young, white, and thin. Women are apt to be "girls" and there's an Inked Girl of the Month. (The website is much worse about using tits n ass to sell the magazine, which is why I don't provide that link.) They run fashion spreads like most magazines, and devote pages to telling readers what products to buy.
There's an odd...I want to say "middle-class wholesomeness" about the magazine's voice, too. The Green Day interviews, for instance, each began with, "What was your first tattoo?" (which I guess makes sense) and soon after "Did anyone in your family have tattoos? How did they react?" Which to me sounds like a breathy suburbanite kid, especially when Mike Dirnt said he was ten when he got his first tat and his mom and sisters, who had tattoos on their knuckles, acted like, "What took you so long?"
I'm not likely to subscribe, but it was a good one-time buy, and I'd probably peruse it in a B&N cafe. And I really liked this quote from the Dirnt interview, which conveys an attitude I think corresponds nicely with the mindset of craft-oriented genre writers:
"I'm no virtuoso. We're a punk band, but we know our way around our instruments pretty good. Yeah, I make mistakes here and there, but at the end of the day I get most of them right. You just get up there and swing for the fences every night—you don't leave anything out there onstage. You pour everything into it every night and when you're done, if there's nothing left on the stage, you know you did your job right and you had a fucking blast doing it." Mike Dirnt, Green Day bassist